Ovarian Cancer Research Papers Examples - How To Find Them

Ovarian Cancer Research Papers Examples - How To Find ThemThere are many ovarian cancer research papers examples in the academic literature. Most doctors don't realize this, but there are a number of ovarian cancer research papers examples on the internet, including some cases where the original source has been lost. That's why you want to make sure you find these types of papers yourself. You need to make sure you understand exactly what you are looking for, as you may have trouble finding it.The Internet is an excellent resource for ovarian cancer research papers examples. You can always look for case studies, which contain the actual research paper and the case study. That's because case studies are specifically written to give the reader an inside look at what the doctors did. As a reader, you will be able to follow along and understand what happened.The best ovarian cancer research papers examples you will ever find will have both the case study and the original research paper. If you find a study and the author refuses to tell you what the original research paper was, then you may not be able to access it. It may be too expensive to purchase the original study if you're just trying to access the research paper that will help you understand what ovarian cancer research papers examples are.In order to locate the sources for ovarian cancer research papers examples, it's important that you find the case studies and original research paper. They will make it much easier for you to determine whether the source you're reading is correct.When you find a source that tells you the case study and the original research paper, you need to make sure you get them both. Most research papers have a very general title and many may appear to only be the case study. You will need to make sure that you understand that the original research paper is the case study.Sometimes you will find that there are sources that offer several ovarian cancer research papers examples and they will be willing to give you access to the sources for free. Don't rely solely on their sources, though, because you may find that some are not as reliable as others.Remember, you are the one reading these ovarian cancer research papers examples. If you believe the sources you are using to make your decision, you need to make sure that you are using the ones that are more reliable.

Writing an IBL Literature Sample Essay

Writing an IBL Literature Sample EssayFor people just starting out in English writing, I recommend an IBL literature sample essay. This is the first essay you are going to write on your college application. This essay will determine whether or not you are accepted into a program. If you do get accepted, don't worry about whether it was worth it!Why would someone want to write a sample essay? It's not because they don't have the time. Yes, you could write several hundred essays for every college. Or, you could choose to work part-time, studying as much as you can and trying to write the best essay. An IBL literature sample essay will get you the chance to work with someone who knows more than you do about what it takes to be a writer.The composition of an IBL literature sample essay consists of the following sections: introduction, body, conclusion, and examples. It can't get much simpler. You will use your own experiences, examples, and references in your writing to make your point a nd support your argument.Introduce yourself by including a unique perspective and identity. A unique perspective allows your essay to stand out. That's because many people aren't aware of someone like you. Introducing yourself helps the reader identify with you and will encourage them to listen to your opinions. Instead of writing from your own experience, you will reference other examples and research the factors that led to your current predicament.For a more popular example, take the author of the popular book How to Win Friends and Influence People by Dale Carnegie. His essay can be used as a model. His example includes both his personal life and the example of a conflict between his business employer.It's also important to know that you don't need to be a professional writer. Even if you are the president of a small business, you still should do your best to use your own experiences and learn from others. Using your own stories, this way, you'll not only be able to better relat e to your readers, but you'll also help yourself gain experience and knowledge that will help you as a writer.With this information, you will have a greater understanding of how to write an IBL literature sample essay. It's one more step in your path to becoming a better writer. And, that's the whole point!

Postmodernist Trends in Projects by Ashton Raggatt McDougall

Contemporary architecture has a range of characteristic features, such as; the collision of different styles, the expression of ideas in shapes, the use of cutting-edge technologies, experiments with materials and colors, energy efficiency, interaction between indoor and outdoor space, and other peculiar trends. At the same time, contemporary architecture has one more important characteristic. It is still able to astonish people.Advertising We will write a custom critical writing sample on Postmodernist Trends in Projects by Ashton Raggatt McDougall specifically for you for only $16.05 $11/page Learn More Contemporary architects create works that make the viewers of their designs feel controversial emotions about them. Maybe, one day the society will get accustomed to the constructions of incredible colours and shapes. However, today such buildings as London’s 30 St Mary Axe (or the Gherkin), the Sage Gateshead in north eastern England or the City Hall, the headquarters of the Greater London Authority, the U.S. Kansas City Public Library and the Aqua Building in Chicago, Illinois all engender heated discussion within society. Australia is no exception, besides its Sydney Opera House which is famous throughout the world, this country has amazed us with Melbourne’s Federation Square, the Sidney Myer Music Bowl and many other incredible buildings. Australian architecture is considered to have its distinctive features that have no precedent in the World. â€Å"Bright orange and curling overhead like a roller-coaster†¦Ã¢â‚¬ , â€Å"A vibrant palette of crimson, orange, bronze, gold, black and brushed silver†, â€Å"a great light and open space with curving walls, windows and ceilings† (Nma.Gov.Au), it would be quite difficult to guess what this conundrum is about. Nevertheless, this is the description of the National Museum of Australia building. It was constructed by Ashton Raggatt McDougall (ARM), on e of the prominent Australian companies of architects famous of originality of their works. In this essay, the works of ARM are discussed as the incarnation of postmodernist ideas in architecture. The purpose of the essay is observation of ARM’s style and definition of postmodernism â€Å"outside† and â€Å"inside† several projects fulfilled by them; critical reactions on the works by Ashton Raggatt McDougall are observed as well. To advance in the discussion, it is necessary first to discuss the essence of postmodernism as a phenomenon in modern culture. The characteristic features of postmodernist culture are the switch from content to form, collision of different styles and techniques, elimination of standards, canons and the framework of traditional values, aspiration for experiments and originality, exaggerations and play with meaning (Storey, 2009, p.183). Postmodernism tends to eliminate the borders between art and everyday life, â€Å"low† and â⠂¬Å"high† culture†, commercial and not commercial, seriousness and entertainment (ibid.). These principles turned out to be possible to embody in architecture as successfully as in other kinds of art, and the works of ARM are the evidence for this statement. Below, some of the projects by ARM are discussed from the perspective of postmodernist trends in their design.Advertising Looking for critical writing on architecture? Let's see if we can help you! Get your first paper with 15% OFF Learn More Bingham-Hall and Goad (2005) highlight that the style of ARM has no analogy in the world. They characterise it as not concerning with â€Å"orthodox notions of architectural space, linguistic conventions or tectonic truth† (p. 75). This is an eloquent illustration of how the postmodernist desire to follow to no standards and frameworks is embodied in architecture. The authors emphasise that the ARM do not demonstrate â€Å"commitment† to a single aest hetic† (ibid.). The architects experiment with shapes and textures, meanings and contexts. Their aim is â€Å"transfiguration, transformation (visual, sensual and spiritual)† (ibid.). The description of the Storey Hall (p. 76) makes one involuntarily think about how strong the aspiration of postmodernism culture for possessing, copying, â€Å"quoting† and then fusing is. The â€Å"devotional† building is coloured â€Å"a vivid green in honor of the Hibernian Irish Catholic Community† and â€Å"purple and white, the colours of the Women’s Political Association† (ibid.). The building has the allusions to â€Å"much loved Melbourne monuments† (ibid.). Moreover, Jackson and Johnson (2002) also mentions the resurrection of the â€Å"ideas from the Romantic period of the early Enlightening† . Another good example of the incarnation of postmodernist ideas in architecture is the â€Å"open book† extension of the St. Kilda Library constructed in the early 1990s. Jackson and Johnson discuss the incredible â€Å"literal symbolism† of the building. In this object constructed of â€Å"bluestone grave like monumental tomes found in local cemeteries, the ARM embodied the idea about the gradual elimination of paper book publishing that existed in 1990s (ibid). This construction is the embodiment of the postmodernism’s desire to focus on â€Å"manners† making â€Å"matters† only a source of new original ideas and associations and express ideas literally (even very literally). The idea of the Library extension makes one think about time and changes that it brings; the idea is significant and important, but the architects prefer to express it in an eloquent, clear manner, not veiling the â€Å"content†; thus, the construction is the â€Å"open book† in all senses of this expression. Thus, it is possible to notice several distinctive features of ARM’s style, whic h are shifting the balance between content and shape, originality and experiments, fusion of history and the present, and â€Å"literal symbolism†. It is easy to see how these principles took shape in one of ARM’s most significant and famous projects, which is the National Museum of Australia (NMA). â€Å"Avoiding traditional museum interpretations, the architects developed a post-modern structure reflecting the diversity of the Museum’s collection†, announces the official website of the NMA (NMA.Gov.Au).Advertising We will write a custom critical writing sample on Postmodernist Trends in Projects by Ashton Raggatt McDougall specifically for you for only $16.05 $11/page Learn More This approach to construction of culture and scholarship facilities seems to be ARM’s favorite subject when one recollects the St. Kilda’s Library and the Storey Hall, â€Å"ARM’s architecture highlights the chaos of transformi ng scholarly institutions into commercial sellers of new packages of knowledge to international customers† (Johnson and Jackson, 2002). This quotation eloquently reflects the approach of design of the NMA building: the museum is much more than a store for historical knowledge preserved by the exhibits for the select few; today, it has turned into one of the most popular places of tourism and entertainment in Australia being incredibly popular with the guests of the country. Indeed, the museum sells â€Å"packages of knowledge to international customers† (ibid.). In the construction of the NMA, ARM’s â€Å"literal symbolism† and eagerness towards exaggeration are displayed quite eloquently. Each of its parts is connected with a certain idea. A certain part of the museum’s exhibition spaces the Garden of Australian Dreams, â€Å"a symbolic landscape† with â€Å"large sculptural forms within a body of water† (Nma.Com.Au). It is described as â€Å"a 3D Pop Art street directory of an â€Å"other† Australia† (Bingham-Hall and Goad, p.77), the giant loop and the bright Uluru line (Nma.Com.Au). The architects also play with colours (â€Å"crimson, orange, bronze, gold†¦Ã¢â‚¬ ) and textures (â€Å"from smooth finish of the anodized aluminium panels†¦ to the deeply patterned moulded concrete surface†¦) (ibid.). Thus, the NMA has been constructed in ARM’s traditions outlined by the authors of the sources discussed above. Indeed, having constructed their â€Å"most controversial building to date† (Bingham-Hall and Goad, p.77), ARM have done their best to turn the museum into the facility that is able to successfully sell â€Å"packages of knowledge to international consumers†. At the same time, together with the â€Å"postmodernist exterior† of the Museum, the inner space and the exhibitions offered in the NMA diverge from traditional approaches that exist in museol ogy and incline to the ideas of postmodernism, which awakens critics’ controversial remarks but excites the majority of visitors.Advertising Looking for critical writing on architecture? Let's see if we can help you! Get your first paper with 15% OFF Learn More The buildings discussed above have been constructed during the previous decades; it would be interesting to see how postmodernist trends show themselves in ARM’s works today. Now, it is necessary to allude to one of ARM’s latest projects, which is the so-called Portrait Building (completion due 2014) (ARM). During the last decades, the works architects from different countries of the world contributed to the fact that today it is quite difficult to impress citizens with design of a skyscraper. The Gherkin building mentioned in the introduction is just one example, and it is possible to recollect many others. ARM’s new project does not amaze with its strange shape or bright colors. Nor does it imply using some peculiar technology or materials – the building is planned to be constructed of concrete. Its faà §ade just displays†¦ the portrait of William Barak, â€Å"the last traditional ngurungaeta (elder) of the Wurundjeri-willam Clan†, original ly designed by sculptor Peter Schipperheyn (ibid.). The portrait is formed by a series of panels on the balconies and can be seen by viewers from a big distance. The architects describe the project as the â€Å"symbolic representation of Melbourne’s indigenous culture and history† (UAP Marker), which makes one think about the expression â€Å"literal symbolism† by Jackson and Johnson mentioned above. In this project, one may see the fusion of the past and the future, everyday life and culture, painting and architecture, which is very peculiar to postmodernism. The Portrait Building provides high-quality apartments, gives credit for a significant personality of the Australian history, and impresses the observers. In fact, the approach to design of the building is quite similar to that used in construction of the National Museum, where history and modern times, learning and entertainment co-exist and interact. After getting familiarised with ARM’s works, on e may be interested in the critical responses to them. It is quite difficult to imagine that they may not awaken hot discussion with contradicting opinions. It would be reasonable to mark that attitude to ARM’s style has been changing. It has been marked above that there are certain similarities in approach to the design of the Museum and the Portrait Building. At the same time, the critical responses on both projects demonstrated how the viewers gradually â€Å"get used† to ARM’s postmodernist ideas. The projects of the National Museum and the Portrait Building are separated by almost a decade; at the same time, despite the mentioned similarity between the approaches to the design, the responses on the Portrait Building are much warmer than those devoted to the National Museum. The reviews devoted to the National Museum emphasised the presence of postmodernist trends in NMA’s design and, as well as in the approach to developing exhibitions. For example, calling the NMA a â€Å"mishmash†, Tim Lloyd discusses the exhibitions of the museum and compares it to the South Australia Museum (2003, p.68). Lloyd emphasises the eclecticism, inconsistency and presentation of the â€Å"politically charged version of history†. However, this did not hinder for the museum to become a commercially successful project since the first years of its existence (ibid.). Having described the landscape of the Garden of Australian Dreams, Catherin Bull makes the conclusion that it â€Å"has met one of designer’s goals, to challenge the traditions and mores of the profession, and, just as importantly, to be seen to be doing so† (Bull, Stead and Ashton, 2002). At the same time, analogically to Lloyd, Bull mentions that the professional debate about the Garden does not hinder its popularity with children and adults who enjoy the sensation of hyperreality. Talking about the museum and museology, Naomi Stead marks the â€Å"overriding allegory – Australian nationhood as many stories tangled together† (ibid.), which sounds quite consonant with the discussion of ARM’s â€Å"literal symbolism†. Stead nevertheless mentions that in the ways the exhibitions are organised and placed, â€Å"the relationship seems less successful† (ibid.). This makes one think about Lloyd’s statement about the inconsistence of the museum. Thus, though admitting that the NMA is popular with visitors, reviewers are somewhat critical regarding the postmodernist approach in NMA’s museology. Postmodernist trends are considered as the way to attract attention and impress rather than deliver useful, serious information. Despite this criticism, the NMA also had a range of positive reviews – for example, Drayson says that â€Å"its value to our cultural heritage†¦ cannot be measured in dollars and cents† (2001). When viewing the bidy of critical response as a whole skepticism was n evertheless prevailing rather than excitement and approval. However, comparison of the NMA reviews and those devoted to the Portrait Building demonstrates that today the society is more ready to accept the architects’ ideas expressed in the â€Å"postmodernist manner†. The reviews devoted to the Portrait Building emphasise that besides its originality, the project has a significant message which is important to deliver to the modern Australian society. In a bright, â€Å"popular† manner, the architects give viewers opportunity to think about history and keep its outstanding personalities in their memory. â€Å"The Wurundjeri community is very moved by this gesture and appreciates the respect that both Grocon and ARM have shown in developing this exciting concept†, says Megan Goulding, the Wurundjeri Tribal Land Council CEO (CSR Wire). The government also supports the idea of the Portrait building, â€Å"†¦This commemoration of the life of William Ba rak is one that the Victorian Government certainly applauds†, says Richard Wynne, Victorian Aboriginal Affairs Minister (ibid.). Architects also give positive evaluation to the ARM’s project, â€Å"Congratulations to ARM on an excellent site-specific integration of artwork and architecture. It is sure to make a strong and lasting contribution to the site and the city† (UAP Marker). It is interesting that not only architects and critics give positive evaluation to the Portrait building; ordinary citizens also support the project. The poll carried out by Heraldsun (Barry) demonstrates that about two thirds of the participants (711 of 1101) like the design of the building, and only 390 participants expressed their dislike towards it. Thus, it is reasonable to emphasize two changes that are demonstrated by the critical reviews of two abovementioned buildings. Firstly, the society is not afraid of â€Å"literal symbolism† any more; nor is it irritated by it. Fo r a long time, absence of any allegory in art, particularly, in architecture, was considered the manifestation of bad manners. A library building in the form of a book, a portrait on the building – yet several decades ago such approaches to expression of ideas would be evaluated as shallow and tasteless. However, today â€Å"manners† are not expected to be an unpretentious instrument used to tell about â€Å"matters†. The second dramatic change is the reduction of the gap between education and entertainment. The National Museum was criticized by many critics, as museums were expected to provide visitors with important information and hardly be the place for fun. Today, the â€Å"educative function† of the Portrait building is beyond question for people. â€Å"†¦I suspect a lot of people will read a whole lot of things into this†, says Daniel Grollo, Groco chief executive (Barry). The review of four projects developed by ARM gives us opportunit y to notice eloquent manifestations of postmodernist trends in ARM’s creative works. The NMA and other designs of ARM are considered to be full of â€Å"literal symbolism†, eclecticism and aspiration for breaking the rules of architecture. The exhibitions of the museum, despite being evaluated by some reviewers as inconsistent and politically subjective, prove to be commercially successful, which means that ARM really succeeded to construct an object that has become a â€Å"commercial seller of new packages of knowledge to international customers†. The architects do not tend to create â€Å"empty† shallow projects; each of them has its idea, a message to the community. At the same time, ARM do not â€Å"draw a veil† over these ideas like artists of the period of modernism did; the message of ARM’s works is clear to ordinary citizens, which is the manifestation of the postmodernist elimination of the border between â€Å"elite† and â⠂¬Å"popular† art. Observation of the reviews devoted to ARM’s projects has demonstrated that the society is gradually â€Å"getting used† to the postmodernist trends in architecture and now welcomes the mentioned approaches in design of buildings. References ARM, 2010. Portrait. ARM. Available through:  https://armarchitecture.com.au/projects/  . Barry, E., 2010. Building with Portrait of Leader to Become Melbourne’s newest landmark. Heraldsun, Sept 15 2010. Web. Bingham-Hall, P. and Goad, P., 2005. New Directions in Australian Architecture. Singapore: Periplus. Bull, C. Stead, N. and Ashton, S., 2002. Landscape, Museology, and Alliance. Architecture Australia, 91(2). Available through: Australia/New Zealand Reference Centre. CSR Wire, 2010. Portrait Building Launched at Carlton Brewery Site. CSR Wire. Available through:  https://www.csrwire.com/press_releases/30682-Portrait-Building-Launched-at-Carlton-Brewery-Site . Drayson, N., 2001. National Muse um of Australia. Australian Geographic, 61. Available through: Australia/New Zealand Reference Centre. Jackson, D. and Johnson, C., 2002. Australian Architecture Now. London: Thames Hudson. Lloyd, T., 2002. Museum a Cultural Mishmash. Advertiser, The Jan 27 2003. Available through: Australia/New Zealand Reference Centre database . Storey, J., 2009. Cultural Theory and Popular Culture: An Introduction. 5th ed. New York, London: Pearson Longman. UAP Marker, 2010. Portrait Building. UAP Marker 16 Sept 2010. Web. 4 Pictures (Illustrations for the text) Portrait Building http://urbanneighbourhood.com/wp-content/uploads/2010/09/Portrait-building-1.jpg Storey Hall http://www.thecollectormm.com.au/gallery/photography/City/slides/RMIT3.jpg St Kilda Library https://farm4.static.flickr.com/3541/3502272251_c2658098b7.jpg?v=0 NMA https://www.thecityreview.com/arcnowa.jpg This critical writing on Postmodernist Trends in Projects by Ashton Raggatt McDougall was written and submitted by user Manta to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Stephen Leackock essays

Stephen Leackock essays Stephen Leacock led a fascinating life. He lived on various continents throughout his childhood, wrote 35 books, and won many awards. In this essay I will discuss his life, the awards and honours he received, and the amazing number of books he produced. Stephen endured difficult periods during his lifetime. His parents, Peter and Agnes Leacock, had a large family, which they had trouble adequately supporting. They tried farming in many different places including South Africa and Kansas. In 1876 Peter took his family to Sutton, Ontario. In his unfinished autobiography, The Boy I Left Behind Me, Leacock said that our farm with its buildings was, I will say, the damnedest place I ever saw (p. 58 (taken from quote from government web site)). Stephen and his 10 other sibling didnt have a comfortable life on the farm, with the horrific stench of the barn, the horrible coldness of the farm house, and his single miserable candle to study by. His mother was determined to give her kids the best education possible so she took them out of the public school system and home schooled them. She carried the burden of their education herself until a tutor named Harry Park came along. After Stephens father deserted the family, Agnes was left to care for their eleven children as well as run the farm. In 1882 Stephen enrolled in Upper Canada College. He was an excellent student; he was even the editor of the college newspaper, The College Times. In 1887 he graduated at the top of the school, and returned home to find that his father, a drunk and penniless man at this point, had come back. However, the following summer he found some money and left again. He never returned, living out the rest of his days in Nova Scotia. He never saw his wife or children again, and lived with his common-law wife until his death in 1940. Stephens real interest was political science, which he studied at the Uni ...

Harrison Bergeron and V For Vendetta Analysis Essay

Harrison Bergeron and V For Vendetta Analysis - Essay Example In such kind of societies, it is seen that the government is to be feared by the people: it has both the authority and the armed forces to enforce its will upon the people. But McTeigue has other ideas, declaring that â€Å"people should not be afraid of their governments, governments should be afraid of their people,† emphasizing the concept of freedom over oppression. In this case, the researcher would try to expound the statement of McTeige through two outstanding literary pieces: the short story â€Å"Harrison Bergeron† (Vonnegut Jr. n. p.) and McTeigue’s film â€Å"V for Vendetta.† The short story â€Å"Harrison Bergeron,† which was written by Kurt Vonnegut Jr., tries to picture a society with absolute equality, wherein people are actually equal in all concepts (Vonnegut Jr. n. p.). As stated in the story, The year was 2081, and everybody was finally equal. They weren’t only equal before God and the law; they were equal every which way. Nobody was smarter than anybody else; nobody was better looking than anybody else; nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General. (Vonnegut Jr. n. p.) In able to ensure that all people was absolutely equal, the government actually created the office of the â€Å"United States Handicapper General,† wherein the intelligent would be handicapped by a loud noise distracting them (resulting to the fact that all people would be â€Å"averagely intelligent), athletic people would have to wear weights in order to be as fast and as athletic as normal people, and where beautiful people would have to wear masks (Vonnegut Jr. n. p.). Due to such handicaps, society actually resulted to a collection of individuals who are absolutely equal in every way, all of them stupid, dumb, and following authority without question (Vonnegut Jr. n. p.). This short story, which actually serves as a political satire, shows how the aim of governments to ensure absolute equality actually harms the natural differences of people, and how it both oppresses the rights of individuals to be who they are, harming the welfare of society as a whole. From this message, it can be seen that the freedom of individuals over oppression must be upheld, for it does not only benefit the welfare of the people, but the welfare and well-being of society as a whole. While Kurt Vonnegut Jr. used a satirical narrative to describe how oppression harms the well being of society and makes it dysfunctional, Director James McTeigue opted to use a different way to show why freedom must reign supreme over oppression, and why governments must be afraid of the people: he used the movie â€Å"V for Vendetta† (McTeigue, n. p.). This movie actually talks about the time when the government of Britain comes to be dominated by the fascist †Å"Norsefire Party,† turning Britain into a totalitarian state (McTeigue, n. p.). As the Norsefire Party takes power and gains hold of the parliament (following the bioterrorist attacks that will claim

The Facts Behind Distracted Driving Debate Essay

The Facts Behind Distracted Driving Debate - Essay Example But not for the better it seems. According to a nationwide insurance study, 20 percent of drivers are either sending or receiving text messages while at the wheel of a moving vehicle. Even more startling is the information that these numbers increase to 66 percent when the driver is within the age range of 18 to 24 (Schulte). A sector of our society believes that teenagers are unfairly targeted in these experiments simply because they are young and often impulsive in their actions when at the wheel of their cars. But the reality of the situation is that these figures accurately describe the driving habits of some teenagers within the aforementioned age bracket. In fact, during a simulated test conducted by Car and Driver Magazine, the results of the distracted driving tests showed that when driving unimpaired, a person (regardless of age) requires at least .54 seconds to brake, while it took an average of 36 additional feet for a driver who is reading an email while at the wheel to c ome to a full stop. But more worrisome is the fact that an additional 70 feet of braking room is required by a driver who is composing a text while navigating a car (Austin). People who consider themselves experts at texting while driving claim that they always keep the additional space between them and the next car in order to allow for the required braking distance in the event of an emergency. However, this safety measure becomes irrelevant and useless considering the fact that these people still maintain their normal driving speed while multitasking at the wheel. These road hazards compose 73 percent of the distracted drivers on the road according to statistics from the National Highway Traffic Safety Administration – a statistic that results in 89 percent of road accidents involving other cars per the collated data from the Insurance Institute for Highway Safety (â€Å"Facts about Using Cellphones While Driving†). Those drivers who consider themselves at multitask ing are not familiar with the five second rule. It only takes five seconds for one to take his eyes off the road and end up in a fatal accident with another car. That translates to at least 23 percent of all vehicular accidents caused by drivers whose eyes were taken off the road in order to respond to or read a text message. We can explain it in more visual terms this way: a car can travel 70 miles an hour, the equivalent of 100 yards, or the length of a football field. A distracted driver can cover that distance in 5 seconds (Wilkins). Most teenagers view their lives with a sense of invulnerability. They are adventurous and always willing to push their limits just to see what they can get away with. The most adventurous kind tends to think in terms of â€Å"It can never happen to me† when it comes to possible life altering situations. One of these cautionary tales is from a widely publicized 2008 texting while driving fatal car accident. Writer Bret Schulte retells the stor y as (â€Å"Outlawing Text Messaging While Driving†): A fiery crash made headlines in June when five female friends died in a collision with a tractor trailer just a week after graduating from their suburban Rochester, N.Y., high school. Police discovered the teenage driver had been texting moments before the crash. Similar accidents are happening with increasingly regularity nationwide. The AAA Foundation for Traffic Safety further solidifies the sense of invincibility carried by most of the teenagers with

Climate Change Essay

Climate Change Essay Climate change in the world can be caused by various activities. When climate change occurs; temperatures can increase a dramatically. When temperature rises, many different changes can occur on Earth. For example, it can result in more floods, droughts, or intense rain, as well as more frequent and severe heat waves. Oceans and glaciers have also experienced some changes: oceans are warming and becoming more acidic, glaciers are melting, and sea levels are rising. As these changes frequently occur in future decades, they will likely present challenges to our society and environment. During the past century, human activities have released large amounts of carbon dioxide and other greenhouse gases into the atmosphere. Most of the gases come from burning fossil fuels to produce energy. Greenhouse gases are like a blanket around the Earth, trapping energy in the atmosphere and causing it to warm. This is called the greenhouse effect and it is natural and necessary to support life on earth. However, while greenhouse gases buildup, the climate changes and result in dangerous effects to human health and ecosystems. People have adapted to the stable climate we have enjoyed since the last ice age which ended several thousand years ago. A warmer climate can bring changes that can affect our water supplies, agriculture, power and transportation systems, the natural environment, and even our own health and safety. There are some climate changes that are unavoidable and nothing can be done about it. For example, carbon dioxide can stay in the atmosphere for nearly a century, so Earth will continue to warm in the future. Global warming has really taken effect in the world over the last century. It is the unusually rapid increase in the Earths average surface temperature over the past century primarily due to the greenhouse gases released as people burn fossil fuels. Global warming is due to the enhancing greenhouse gases emission and build-up in the Earths environment. The gases that have an influence on the atmosphere are water vapor, carbon dioxide, dinitrogen-oxide, and methane. Almost 30 percent of incoming sunlight is reflected back into space by bright surfaces like clouds and ice. In the other 70 percent, most is absorbed by the land and ocean, and the rest is absorbed by the atmosphere. The absorbed solar energy heats our planet. This absorption and radiation of heat by the atmosphere is beneficial for life on Earth. Today, the atmosphere contains more greenhouse gas molecules, so more of the infrared energy emitted by the surface ends up being absorbed by the atmosphere. By increasing the co ncentration of greenhouse gases, we are making Earths atmosphere a more efficient greenhouse. Climate has cooled and warmed throughout the Earth history for various reasons. Rapid warming like we see today is unusual in the history of our planet. Some of the factors that have an effect on climate, like volcanic eruptions and changes in the amount of solar energy, are natural. Climate can change if there is a change in the amount of solar energy that gets to the Earth. Volcano eruptions can really affect climate, because when it erupts it spews out more than just lava and ash. Volcanoes release tiny particles made of sulfur dioxide into the atmosphere. These particles get into the stratosphere and reflect solar radiation back out to space. Snow and ice also have a great effect on climate. When snow and ice melts Earths climate warms, less energy is reflected and this causes even more warming. There are many different ways that plants, animals, and other life on our planet can affect climate. Some can produce greenhouse gases that trap heat and aid global warming through the greenhouse effect. Carbon dioxide is taken out of the atmosphere by plants as they make their food by photosynthesis. During the night, plants release some carbon dioxide back into the atmosphere. Methane is made while farm animals, such as cattle and sheep digest their food. Cars and trucks can effect climate by releasing carbon dioxide when fossil fuels are burned to power them. When wildfires occur, carbon dioxide is released into the atmosphere. However, if a forest of similar size grows again, about the same amount of carbon that was added to the atmosphere during the fire will be removed. Some effects that scientists have predicted in the past would result when global change was occurring: loss of sea ice, accelerated sea level rise, and more intense heat waves. Scientists have confidence that global temperatures will continue to rise for decades to come, largely due to greenhouse gase s produced by human activities. The Intergovernmental Panel on Climate Change (IPCC) stated that the extent climate change effects on individual regions will vary over time and with ability of different societal and environmental systems mitigate or adapt to change (The Intergovernmental Panel on Climate Change). This has been the warmest decade since 1880. According to the National Oceanic and Atmospheric Administration, 2010 and 2005 has been the warmest years on record. The earth could warm by an additional 7.2 degrees Fahrenheit during the 21st century if we fail to reduce emissions from burning fossil fuels (The National Oceanic and Atmospheric Administration). The rising of temperature will have great effects on the earths climate patterns and on all living things. Industrial activities that our modern civilization depends upon have raised atmospheric carbon dioxide from 280 parts per million to 379 parts per million in the last 150 years (The Intergovernmental Panel on Climat e Change). In conclusion, we need to take part and try to stop global warming and other effects on climate change. If the earths temperatures continue to rise in the future, living things on earth would become extinct due to the high temperatures. If humans contribute to control global warming, this world would be cooler and the high temperatures we currently have would decrease. If everybody as one take stand and try to end most of the climate changes that are occurring, this world would be a safer place to live on.